An Analysis on the blend of Collective Consciousness and Cognitive Dissonance in the play - The Unmentionables

Abstract

Literature as a reflection of societal dynamics captures the essence of human experience and serves as powerful medium for conveying cultural knowledge. This research article delves into the intricate relationship between collective consciousness and cognitive dissonance through qualitative analysis. In applying the concept of collective consciousness and the theory of cognitive dissonance to the characters in Bruce Norris’ “The Unmentionables”, the research expounds on the complicated interplay of societal influences, the individuals’ behaviour and their manifestation of hypocrisy. The study aims to contribute the broader understanding of how literature serves as a mirror reflecting the complexities of human existence and societal structures. The chosen text for study challenges the readers and the audience to antagonize the uncomfortable and unmentionable truths about hypocrisy, supremacy, and exploitation, particularly within the context of the supreme white and powerful black exploiting the vulnerable black community. The analysis extends the genre of satire which exposes the societal follies and hypocrisies through subtle ridicule and laughter.